Let it be said: Jennifer Aniston’s performance in Daniel Barnz’s Cake is fantastic. Just look at that punim above! It’s not just an Oscar-baiting punim, it’s the punim of an actor convincingly embodying a very pained character! Let it also be said: it shouldn’t be a surprise that Aniston’s performance would be fantastic — she killed it in Nicole Holofcener’s Friends With Money and Mike White’s The Good Girl. But finally, it must be said that Cake is not really good enough to pay attention to, and the only reason people most definitely will is because of that Aniston punim, which, while convincingly pained and convincingly scarred, remains trapped beneath the manipulative emotional anvils the movie drops.
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